Showing posts with label exhibits. Show all posts
Showing posts with label exhibits. Show all posts

9/24/2014

To consider ancient traditions

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While I expected to see many horticultural wonders during my visit to
what took me by complete surprise was a photographic exhibition on display
in the main entrance lobby.  The images were so compelling I used a great portion
of my garden-viewing time to read the entire story
behind each powerful photograph.



With kind permission from the desk staff, I used my phone camera as best I could
to make record of several I thought were particularly potent in their imagery & description;
those that were especially moving and/or important to me.
In light of recent Peace Day 2014 this seemed like an appropriate time to share them.

* PLEASE NOTE*
The original photographs have been slightly cropped to fit
the format of this blog post.  Reflections on framing glass couldn't be avoided
nor some odd angle and color distortions.
The descriptions were copied verbatim from the exhibit walls. 
Photographer's names are clickable to their websites.
Visit them.  They are all amazing.

:::




no strangers  poses a fundamental question: What does it mean
to be human and alive?  When the people of the world answer this question, they do so
in 7,000 unique voices.  Tragically, half of these may be silenced within a generation or two.
At risk is our human legacy, a vast achieve of knowledge and expertise.
Rediscovering a new appreciation for the diversity of culture is a
crucial challenge that should be faced.




            LHASA, TIBET
            A young Tibetan woman poses next to a Chinese fighter jet on display in front of the
            Portola Palace, the ancient home of the Dalai Lamas, the spiritual rulers of Tibet.  Such
            symbolic gestures of intimidation are encountered throughout Lhasa, which has become
            largely an outpost of the Chinese government and a symbol of their conquest of the 
            Tibetan nation.



            © Randy Olson

            OFU ISLAND, SAMOA, 2000
            The training of the Polynesian way finder, or navigator, begins in infancy as he is placed
            in tidal pools for hours at a time so he might feel and absorb the rhythms of the sea.  If,
            on his first deep ocean voyage, he becomes sick from the swells, his teacher will tie him
            to a rope and pull him behind the canoe until the nausea passes.  It was by such devotion
            and rigor that the Polynesian ancestors settled the Pacific.




            KENYA, 2006
            A Swahili woman from Kenya decorates her hands and feet with designs made from henna,
            a dye derived from a powdered leaf mixed with water and the juice of unripe lemons.  The
            designs are drawn with a fine twig; five to six applications are required to ensure that the
            henna doesn't fade too soon, a process that takes up to 12 hours.  In modern times, a black
            synthetic dye is used to enhance the elaborate designs.  A Swahili woman who appears in
            public must remain concealed in black veils and long robes.  Her hands and feet are the only
            parts of her body that may be seen.



            © Brent Stirton

            TIMBUKTU, MALI, 2009
            In 1914, when the French took control of Timbuktu, they confiscated the ancient manuscripts,
            threatened the scholars with jail and taught the children that their ancestors were not Arab
            or Berber, Tamashek or Tuareg, but Gaul.  The library pictured here is one of the oldest in the
            world.  It is filled with ancient manuscripts that have survived throughout the centuries.



            © Wade Davis

            ARNHEM LAND, NORTHERN TERRITORY, AUSTRALIA, 2008
            For over 55,000 years, the Aboriginal peoples of Australia thrived as hunters and gatherers,
            and guardians of their world.  In all that time the desire to improve upon the natural world had
            never touched them.  They accepted life as it was, a cosmological whole, the unchanging
            creation of the first dawn, when earth and sky separated and the original Ancestor, the
            Rainbow Serpent, brought into being all the primordial ancestors who through their thoughts,
            dreams and journeys sang the world into existence.  This woman stands in a sacred site of
            the Rainbow Serpent.



            © Aaron Huey

            OGLALA, SOUTH DAKOTA, 2011
            Stanley Good Voice Elk is a Heyoka (clown dancer) and a dreamer of the Thunder People.
            His Heyoka name is Wakinyan Hoksila (Wakeeya Hokshila) which means Thunder Boy, or
            or Iktomni Hoksila, Spider Boy.  He burns sage, prays and prepares for a coming kettle
            dance to thank the thunder beings (thunderstorms) as they leave for the summer.



            © Steve McCurry

            HENAN PROVINCE, CHINA, 2004
            Young monks train at the Shaolin Monastery in Henan Province, China.  The physical
            strength and dexterity displayed by the monks is remarkable, as is their serenity.  At its
            core Buddhism is simply a wisdom philosophy, a set of contemplative practices, a spiritual
            path informed by 2,500 years of empirical observation and deduction that, if followed, offers
            the certain promise of a transformation of the human heart.



            © David Hiser

            SARAWAK, MALAYSIA, 2012
            A Penan family from the Ubong River in Sarawak with a feast of wild foods - sago, wild
            boar, fruits and seeds - all gathered or hunted in the forest.  A Canadian or American grows
            up believing that poverty for some is a regrettable but inevitable feature of life.  The Penan
            live by the adage that a poor man shames us all.  The greatest transgression in their culture
            is "sihun," a concept that essentially means a failure to share.


: : :


Traditional societies are not failed attempts to be modern, let alone
failed attempts to be like us.  Every culture is a unique expression of the
human imagination and heart.
When asked what it means to be human and alive, the peoples of the world
respond in 7,000 different voices, 7,000 languages that together
express the full wisdom and knowledge of our species,
insights that no doubt will prove invaluable to future generations,
even as we continue this never ending journey.

~ Introduction, copied from the entrance wall ~



2/26/2014

The best advice

11


Gareth Bate with his  Jewel Net of Indra  installation.  Gareth is Festival Curator of the World of Threads Festival and
Exhibition Curator of Memento mori.   Photo: Saglara Kitchikova


Gareth Bate has some fabulous things to say.
He outlines some mighty fine advice for artists
including how to work with curators ...
how artists are chosen,
how artists should handle rejection ...
a treasure trove of useful information with an interesting point of view.
I think some who stop by here may enjoy reading his take on things
as much as I did ...



At the very end of the interview there is this gem:

What's the best advice you can give to artists?
The best advice I've ever heard for artists came from Art Dealer and Blogger, 
Edward Winkleman:

"Make work that is impossible to ignore."




1/14/2012

Thom Atkins, a man who beads...

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and...stitches THE MOST exquisite art quilts.
Breathtaking, literally.


To see his jeweled handwork in person was an enormous pleasure.  If you are
anywhere near the area, I hope you'll visit the La Conner Quilt & Textile Museum
and see these beauties for yourself.  
Thom Atkin's one-person exhibit, 'Ten Years of Beaded Quilts,' will be up until March 25th.


This piece is comprised of five panels, the large center one shown here.
You can see more of 'Byzantine Bezels and Borders, Oh My!' over on Thom's website,
but believe me,
there are no pictures that can come close to capturing what they look like 
when they are a few inches from your face...get there if you can.


So... 
what happens when you pile four bead-smitten, textile-smitten gals into one vehicle
and head off to see an exhibit such as the likes of this?
Nothing short of a totally splendid & inspiring time, that's what!

I'll show you a few things that really knocked my socks off.

At the helm of our merry band was my dear bead friend, Robin Atkins...
Thom Atkins is Robin's brother.  Can you believe that all this beadiness is in ONE family?!
She's posted about Thom's exhibit over on her blog, Beadlust...go check it out, it's a lovely read.
Needless to say, she is one proud sister.


A special thrill for me was to see an entire wall filled with Thom's pieces from
the Bead Journal Project, 2007.  That was one of the years that I participated
 and I remember watching his pieces show up on the BJP website...
oh, how wonderful to see them in person, at last!

But before I go on, I hope you will all bear with me in regards to the color & quality
of the photos here.  Geesh, it was tough shooting in there...low, tungsten light
which cast a yellow glow on everything...camera's ISO pushed to the max....so I've opted for
just getting these images up here (rather than spending hours & hours tweaking in PE).
The beauty of Thom's work will come through, even if the photography fell short...

9" x 13"

January was one of my favorites from the BJP (click on the name above to see it on Thom's website)
...I love his beaded interpretation of the feeling of sideways rain...


and the way that bottom edge is beaded...those rain drops are hand carved Labradorite beads.

Here is some more beautiful rain...


It was easy to be swept up in the details.  Many of the quilts were quite large, like this one
which hangs in two panels...I kept moving up for a closer look.

50" x 53"


Click on the photos to see the details better.


If you go, plan on lots of time for staring.  I was spellbound by the iguana in The Lotus Eater...
his back is entirely covered with tortoiseshell dagger beads...splendid!

detail from The Lotus Eater
31.5" x 37"

detail from Monterey Seascape
27" x 36"

I think Robin and I were not alone swooning over this underwater habitat...truly incredible.
Can you tell this was an exhibit filled with viewers' expletives?!  That central branching
plant is constructed of triangular seed beads...must be one of finest uses of that shaped bead
that I have ever seen, so expressive of that plant's jointed structure...

detail from Coral

Although not a quilter myself per se, I have great appreciation for the skill involved in letting
fabric dictate line & motion, for taking traditional methods and making one's own marks with them...
for embellishing personal stories in one's own particular voice...

detail from Australian Aboriginal meets American Indian


For me, Thom's creations are as bold, and strong and as expressive as a very fine opera,
filled to the brim with his very distinctive voice!



Here's Robin with her "little" brother, Thom.
I'd say they are both beaming, wouldn't you?

: :  :

Thom has a book coming out in the fall, on quilting with beads.
Stay tuned for that one...I'll write a reminder when it hits the streets.
And if you can't wait to learn more about his methods, rumor has it that Thom will be teaching soon-ish
right there at the La Conner Quilt Museum...
news to be posted about this ~ and the link to sign up ~ on the museum's website 
starting on January 18th.
Ok...I'm going to spill some more beans and let you know that Robin has agreed to teach
two half-day workshops there herself...

it's all too, too beadiful indeed!

: : :

February UPDATE!  Registration is now open for the Quilt Fest Workshops (happening in early October, 2012) to be held at the La Conner Quilt Museum, WA, where both Thom and Robin will be teaching their extraordinary techniques and sharing their talent.  Thom's workshops include, "Bead Embroidery for Quilters," "Beaded Bezels & Borders," and "Improvisational Bead Embroidery."  Robin will be teaching "Beaded Buttons" and "Beaded Fringe Techniques."  Click on this direct link for the workshop descriptions and registration.