I have been coming to some personal conclusions about transparency. I started by asking,
what else defines transparency besides the ability
Can transparency add another dimension to a point of view
upside down?
Since my last post about watercolor, I've been thinking a lot about this subject
so I went to various dictionaries looking for definitions of the word "transparent"
and after diving into the collection of images over on Tumblr,
finally, some thoughts are coming together...
Note: click on the highlighted word(s) under each photo to go to the Tumblr source and photo credit.
Defined as:
allowing radiation to pass through with little or no resistance...
...so fine in texture that it can be seen through...
...open in texture, gauzy...
...sheer enough for light to pass through...
With those descriptions in mind, I searched for examples of transparency
in various art forms from artists engaged in differing mediums,
to see how they might visualize and create something transparent
in their own unique way.
Some may not have been thinking about transparency at all
(most were probably not)
this is only my very subjective interpretation...
Photographers manipulate images with layers & textures these days,
setting opacity levels from practically opaque to almost
completely transparent,
combining subjects in such a way that new worlds are presented,
For centuries, photographers have used the power of
backlighting to create luminosity,
draw our
attention to what is important to them,
and capture extraordinary
moments that were about being in the right place, at the right time.
This piece is entitled
"She Lied" by Jean Myers...
isn't this also transparency of emotion?
mixed media used to great effect...
Some may wonder at this one,
but in this painting/illustration of an
owl by K. Mijadzava
there is so much depth in those feathers from the transparency of meticulous brush strokes,
layer upon layer...
Textile artists know the power of
silk ~ so strong for something so sheer...
some strong
crochet, like a spider's web.
This maker, Ryo Yamada, took their art installation outdoors...
'Vertical Landscape'
sways in the breeze, makes me think of ghosts dancing
while this makes me want to pick up needle and thread,
layer cloth, stitch something beautiful.
If I only had this skill.
I wonder if the woman who stitched this Edwardian
tea apron would have
ever imagined that a hundred years later another woman
might look at her handwork with such admiration that she wished it were her own...
My transparent sincerity.
In a 'Paris Review'
interview, poet Stanley Kunitz (then in his seventies) said this:
At my age, after you're done - or ruefully think you're done - with the nagging anxieties
and complications of your youth, what is there left for you to confront but the great
simplicities? I never tire of birdsong and sky and weather. I want to write poems that are
natural, luminous, deep, spare. I dream of an art so transparent that you can look through
and see the world.
