Showing posts with label resist dyeing. Show all posts
Showing posts with label resist dyeing. Show all posts

2/17/2014

Richer from the collective experience

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This batch of cloth work, an eclectic mix of naturally dyed pretties,
was produced in one afternoon by six pairs of hands
and 
it just makes my heart sing.

With kind permission from the Lopez dyers,
I'm showing their work today.  Oddly enough, seeing it assembled like this
- one big joyous riot of color & bold experimentation -
well, it kinda makes me feel a bit emotional.
This is history.  Our history.
And what began as a shibori stitching group now has evolved into
a group of rather passionate natural dyers
[still some shibori, mind you, but no longer the main focus].
In two+ short years there has been some mighty fine dye mileage,
if I do say so.







From metals to mordants,
 from indigo
to   in-the-pot-too-long ...
the dye waters have been tested, cursed and blessed.
But mostly    blessed.










These are from last summer, late July,
and India was coming soon to teach 'Wayfarer's Windfall Cloth.'
It was to be our last dye session before the workshop.
Two pots were set on the boil;  a 3rd pot, an afterthought with peach leaves, was added later
 and for a real treat,
an indigo  vat   pail  was also on hand.
Here was the blog post I wrote about the day, caught red handed .

 These photos are what they made ...














... a group favorite from the day ... beautiful greens from the peach leaves.


This to me is the very best of what comes from working [playing !] in a group
of like-minded friends,
where each person
brings their own creative desires and wishes to the day,



yet throws them into the big collective idea pot
so that everyone
grows richer from the combined ingredients.




:::


... for photo buffs:  all pix shot with Hipstamatic app on iPhone
Loftus lens + Ina's 1969 film



7/23/2013

Caught, red-handed ...

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Looks like a heist from the florist or botanic garden, doesn't it?
It was a group effort of the very best kind and was transformed into


THIS ...

our first dye day of the summer and it was a BIG one for our merry band who were
practically chomping on their tongs with anticipation ... three separate baths were on hand, 
each with the promise of good, strong color:

onion skins,
indigo
and  lac.


Trying to be somewhat disciplined with our exuberance, we gathered into a circle to get some working
facts about what was in store.  I spoke a bit about lac
and then Sheila taught us about the blues.  Indigo was simpler than I'd imagined,
especially from the kit we used,
and seems to have everything to do with air  ~  in the vat and out of it.


Was my first time out of the chutes [so to speak] with this color and already
I can see how people become addicted.
If only I'd made videos while watching everyones color transformations happening
including my own ...
I was astonished!
No wonder everyone calls it 
*magic*

Just showing a couple of my shibori snippets at the moment [more to come later],
since most the gals read my blog and I don't want to give away all of what I did quite yet ...
saving that for our in-person "reveal" get-together in August.

But I digress ...


Yours truly was the instigator of the lac pot.  Red from bugs - the bugs that provide shellac.
Similar to cochineal, yet different insectivorous origins and with deeper tones - closer to 
burgundy wine or the juice of roasted beets. 
I thought after all this time of using local materials as our primary color source
it might be fun to try something DRAMATIC, from farther afield.
But I confess ... while processing the powder I felt an odd disconnect [for lack of a better word].
My rational mind knew this was a "natural" dye,
yet there was something so unnatural about using this color that came from 
thousands
of
miles
away.


Still, there's no denying my appreciation for these patterns and imprints
[thanks to alum mordant on the cottons & linens] ... and I can see
my purple pansies here [blue from the alum] and the skins from the local grocery.

It was mentioned recently that someone remarked 
that all naturally dyed fabric "looks the same."
I think I must beg to differ with that comment.


The dregs of the lac bath came home with me and the following day I continued on with 
a few more experiments.  The bath looked strong in the pot, but in actuality it was quite exhausted
and had swung to a decidedly plummy range of tones ...
all that iron in our bundles definitely changed the pH.


Can't say I mind it.

: : :

Visit the online store at Long Ridge Farm for Nancy's supply of Lac extract from India

If you're a mite skittish about processing the extract yourself, 
Aurora Silks has a [much more expensive] ready-to-go powder from China

We used a Pre-Reduced Indigo Kit from Pro-Chem




7/01/2012

Interior motives

25


The best laid plans, as they say...except when it comes to mark making with plants
and other sundry items,
it might be best to put ones expectations aside.
Here is the outcome from  last week's science experiment...


Things were going along quite swimmingly with my idea to stuff two pieces of cloth
~ one, 100% silk, and the other 100% ramie ~
with identical ingredients:  red cabbage, fresh young bracken leaves, a spiral coil of copper wire.
The wrapped bundles looked promising when they first came out of their simmered cabbage "soup"...
that is, until I got the not-so-bright idea of dribbling a tiny amount of full-strength vinegar onto Bundle #1
(shown in its "before" state on the left, HERE)
aaaarrrrgggghhhh,  the whole thing immediately went  P I N K
and worse still,
bleached out every mark except for the copper spiral.


Since you never learn anything the second time you're kicked by a mule,
I decided to leave well enough alone...


Bundle #2 was put up to dry
and Bundle #1 was, well, put out to pasture?

In the meantime, a potful of gorgeous darkblueypurpley dye was still sitting there
and I couldn't bear to throw it away...what if...
so I tore the sleeve from a silky thrift store blouse, wrapped it around a chunk of driftwood 
with some rusty metal bits
and after a good stew overnight and five days rest,
the binding came off...


time, oh yes, time is your friend.
These are priceless words from a wise, wandering alchemist.


The driftwood soaked up quite a lot of color.  In fact, the cloth felt quite dry as I peeled it open
while the wood was still heavy from the moisture.
And it smelled like a big boiled cabbage, tah boot!


Dry down knocked that pink back to a pale lavender, but the blues stayed quite true.


The next thing that happened
reminded me of school days.  Ever try to use that line,
"Sorry teacher, but my dog ate my homework"?


True to her nature, Quinn ate my bundler.


But the "homework" was safe.



: : : :


Special thanks goes out to Dianne, who recently posted a series of photographs
from her time in San Francisco...all processed with the Snapseed app.
They are glorious and she inspired me bigtime ~ I used the app for this post.
Please go see her images HERE.


: : : :


To everyone stateside celebrating the 4th this week, Happy Independence Day all!




6/15/2011

September workshop: Chad Alice Hagen returns to the Pacific Northwest!

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...and we can't wait to have her back...


Resist Dyeing and the Fabulous Refillable Felted Book Cover!
September 9, 10 and 11, 2011
with Chad Alice Hagen
Lopez Island, Washington


So blog friends, what are you doing in September...want to join us?
This workshop is going to be FAB!
If you're keen to learn or play some more with Chad's method of resist dyeing on merino prefelts,
this workshop promises to not disappoint.  By popular request, this year we'll have TWO full dye days, 
nine dye baths each day...YAY!  Plus, we'll then create a journal/sketchbook cover that we can use over & over...
Here's a snippet from the workshop description:

Join us for a delightful three days of resist dye pots and a
fabulous new book project.
Thanks to student's requests for longer resist dyeing times, we
will be spending two whole days over the dye pots. We'll do
nine dye baths each day, giving everyone more time between
dye pots to think about and design each piece of felt.
On the third day, we will design a book cover from several
pieces of your beautiful resist dyed felt, solving the age-old
problem with hand bound felted books "It's so beautiful I can't
write, sketch or make any marks in it..." Our book covers will be
fitted to your own hard cover journal, sketchbook or even
favorite book so that when you have filled one book with poetic reflections, you can slip out
that book and slip in another! Book covers will be lined with upcycled fabric or leather.
Several different closures will be shown.

To read ALL the workshop details and lots of background information on the wondrous redhead herself
including more photos of her finished books,
go  HERE  to Jan's website and click on the linkie. 
My friend Jan is once again taking on the awesome task of organizing all the details.
While you're over on her site, be sure to check out her textile work...some beautiful stuff over there.

Example of resist dyed felts created by workshop participants, 2010

In the meantime, would you like some entertaining (if I do say so myself) background reading on previous workshops?
Here is my post from 2010...
and Robin Atkins (beading wizardess extraordinaire) posted about her experience, over on Beadlust.

Some of the fabulous resist felt that comes out of the dye pots!
courtesy of Chad Alice Hagen

Want more?


photo courtesy of Chad Alice Hagen

photo courtesy of Chad Alice Hagen

MORE??

You may not wanna miss Chad's own blog post about 
her  time  adventure
on our little rock last year...

So if you do register for the workshop, please let me know won't you?   I love having more things to look forward to! 

***
UPDATE as of August 4, 2011...
this workshop has ONE spot left
Please contact Jan above if you would like to join us.

11/30/2010

She was bookin'...

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I think of Chad Alice Hagen as a redheaded whirlwind.  Best to get a lot of sleep before one of her workshops  ~ you will definitely need the stamina.  And you probably won't be dozing during demos, won't be nipping out for *whatevers* because you will have stood in front of a table like this with your mind a bit blown and like most of us in her workshops, chomping at the bit to learn just HOW Chad makes these merino felt(ed) beauties.



"Resist Dyeing and Book Making" was held on our little island last summer.  Chad traveled all the way from her Asheville, NC digs to teach for three glorious days.  She only brought a few things with her  ;>}


Day one was about learning to resist dye the merino wool pre-felts using a huge assortment of binding, pinching, clamping, clipping and banding objects.  Our dye station was set up outside, the perfect spot for three of these:



While the Dye Master (Chad, in the yellow apron) kept the dye pots cooking, the sorters were kept busy.  Each bucket held all the bundles from one student which had to be separated between successive dye baths.  This is when the anticipation really started to build ~ waiting to unwrap our precious bundles was grueling!

By the second day, our felts (laid to dry on tables overnight) were ready for some serious scrutiny which included a whole lot of oooohing and aaaaahing and, "Can I have that one?"   I think I actually told someone that one of her pieces was going to disappear off her table overnight, HA!  The goal was to pick two pieces to embellish for book covers.  Chad made the rounds, offering her own share of ooohs & aaahs & "oops, that one fell in my pocket"...




Then came the hard part (for me anyway)...the bookbinding.  I don't think I have hands built for the task so I fumbled, grew a tad peeved with myself and decided in the end that stitching and beading were softer alternatives.  Book making is best left to stronger hands.  Sometimes it is just as important to know what we shouldn't be doing as it is to know what we should, right?

Here's a group view below of the covers for our coptic books, embellished with stitching and beadwork and ready to be filled with pages. That stunning black & blue one (2nd row on the right) belongs to my good friend Robin A., who came over from a neighboring island to join us for the workshop.  She wrote a wonderful post on her blog Beadlust, about this workshop.  If you aren't already familiar with Robin's extraordinary beadwork, leave a few moments to peruse the rest of her blog, too - it will not disappoint! 


Although I didn't complete my coptic book, I did finish my little wrap journal.  The binding on the spine was quite easy to get the hang of and I adore Chad's version of the bone and leather closure.



For Chad's own tales of her time out west, don't miss her post about it over on News from Studio A & B.  I think she liked it here.  She is threatening to come back.

In the meantime, check out Chad's Flickr photos of her FeltBooks and be prepared to drool.