This moment in between

Winter Solstice

Thinking only makes the heart sore.
I Ching
when you startle awake in the dark morning
heart pounding breathing fast
sitting bolt upright staring into
dark whirlpool black hole
feeling its suction
get out of bed
knock at the door of your nearest friend
ask to lie down ask to be held
listen while whispered words
turn the hole into deep night sky
stars close together
winter moon rising over white fields
nearby wren rustling dry leaves
distant owl echoing
two people walking up the road laughing
let your soul laugh
let your heart sigh out
that long held breath so hollow in your stomach
so swollen in your throat
already light is returning pairs of wings
lift softly off your eyelids one by one
each feathered edge clearer between you
and the pearl veil of day
you have nothing to do but live 


~ Anonymous  by Jody Aliesan, from "Grief Sweat" (Broken Moon Press, 1991)

: : :

Update on solstice morn:  overnight, a friend sent a sweet note.

She wondered if perhaps the "anonymous" poem above had been written by me ...

Although I'd like nothing better then to claim that gem as my own, it troubled

me that such fine words had no author.  So I went back to Google where I'd initially

found it and kept searching, but this time using the first line of the poem and not

the key words  winter solstice  for the search terms. 

And there it was - reprinted in the book section of 

the Los Angeles Times newspaper in the summer of 1991.

I also discovered that the first two lines of the original poem

had been dropped from all the copies circulating the internet;

I have added them back.

In addition, the original contained no capital letters in the body 

and no line spaces - I've revised those as well.

So .... here is the poem in its original, true form.

Thank You to my friend for raising the question that sent me on

a quest for ownership.  Ms. Aliesan deserves this credit and now I can give it.

Closure :: metaphors in cloth

~ details on silk lace blouse, made by Vernon, 1915-1917 courtesy of Digitalt Museum ~

~ dress by Mariano Fortuny, ca. 1939 via The Costume Institute of the

Metropolitan Museum of Art ~

~ silk stomacher ca. 1720, The Metropolitan Museum of Art ~

~ boro & mending, from the book 'Boro - Rags and Tatters From the Far North of Japan' ~

~ garment design by Isabel Toledo, from the exhibit/book

 'Fashion From the Inside Out' ~

~ Paul, 1999, by Jackie Nickerson from the 'Farm' series ~

~ Peony Dress, Hand, San Francisco, 1997 by Linda Elvira Piedra

from 'The Story of My Love' ~

~ 'Savage Beauty' ensemble by Alexander McQueen, spring/summer collection 2001 ~

~ pattern on dress form, photographer unknown, France ~

~ photo by Lin & Jirsa ~

~ interior seam of boro jacket, sashiko stitched, from Sri Threads ~

~ pieced dress by Gibbous Fashions ~

~ detail from silk evening coat by Paul Poiret, ca 1912, The Metropolitan Museum of Art ~

~ photo by Emmanuelle Brisson, from the series 'L'air frissonne des choses qui

s'enfuient' (The Air Shivers of Things Fleeing) ~

Closure

clo・sure

noun

1.  the act or process of closing, or the state of being closed.

2.  an end or conclusion

2.  a sense of resolution or finality at the end of an artistic work.

After the storm

We recently had a whopper of a gale.  A long night,
then an even longer dark day of sideways rain and rattle-the-rafters wind.

The lull that followed meant only one thing - time for beachcombing - so four-paws and I

headed out to see what we could find.  I wasn't entirely sure there'd even be a shore left.

Predictions had been ominous but living as we do on a tiny rock out in the Pacific Ocean

 we know variables can be extreme island to island.  I needed to see firsthand how our
favorite spot had fared.

Thankfully, it was not so bad really.

Bull kelp was in abundance, having woven itself down the beach in dramatic ropes.  A few

boulders that support the edge of the two lane road had been displaced and
one or two megalithic tree stumps (from Canada perhaps?) had been dredged up & tossed ashore
like toothpicks.

The donations from the sea were plentiful.

I left this red one in place.  Figured a heart rock was better doing its good business under

a big sky, near a Big Puddle, than home with me in my pocket or on my windowsill.

This particular beach is in somewhat protected waters, with San Juan Island directly to 

the east & San Juan Channel in between, so it isn't like beaches that 

face the open ocean where lots of human trash prevails

(I'll pay you five dollars if you can even find a piece of sea glass on this stretch),

but it does hold a motherlode of natural detritus ...

driftwood

stones

shells

some feathers

and lots of seaweed ... especially during storm season.

And there was our "garbage" to collect and treasure.  Hadn't seen this around

for a whole year - a reddish seaweed that makes lovely rose-colored marks when wrapped in 

cloth (especially silk) if one is game to judiciously watch temperatures in the dyepot.

Worth the whole walk, was that.

:::

Have you ever heard of the British artist, Jo Atherton?

She weaves tapestries with the flotsam from her beaches & other coasts of the world

and tells some very interesting stories ...

Have a look.

Introducing 'Dear Flora' ...

To all of you who visit here

and who may also be on Facebook,

I have recently launched an artist page :

Dear Flora

I hope you'll visit me there!

Come have a look-see, maybe take part in the conversations
or just say "Hey"...

What's in a name?

Dear Flora  is my open love letter to the world of plants & my relationship with her ...

and it isn't a name only for Facebook

but one I'll be putting with the things I make as well.

Its flight time.  I need to share this evolution that's so astoundingly

taken my heart by storm.

I think I've been kin to that wrapped up, tied tight, bundle above ....

and yet what I really need to do is let loose some.  Sway with those breezes

that do such fine things with silks when they're out in the open air.

Silk -  strong and soft at the same time.

:::

See you soon.

Riversong :: Being (t)here, again ... with India Flint

I've had trouble writing about my recent time in Scotland.  I've been home

well over two months and I'm still struggling to find words

to explain that place, the people, and what happens for me when I am there.

It's proven difficult to describe how completely that country has stolen my heart.

Yes, the breath-taking scenery is a huge part of the equation, but all told
it is the breath it gives me back that keeps the calling acute.

When the thought first came to return this year and re-enroll in the 'Being (t)here' masterclass
tutored by India Flint and offered at Big Cat Textiles, I wondered
if maybe I was being a bit looney ...

yet in the end I felt I wasn't anywhere near done with spending time by the great River Tay.

So much good came from slowing down there, wandering along her banks with an eye
to detail and a heart set on paying attention.

I knew that although I'd be repeating a workshop I'd just recently taken

there was no way it would be the same.

By the completion of day one I knew this to be fact, for India
had taken what I'd thought was already a perfect course and bumped it up by a couple
dozen notches. This time around was going to be altogether different.

This little bell nudged us to attention innumerable times over the

five days together - I grew very fond of its sound.  Although I wasn't expecting to have
the company of so many pleasant classmates again, just like before these gals
were a splendidly supportive group who shared, inspired, cajoled, laughed
and even splashed about in a great deal of river mud,
all with immense amounts of joy ...

and this time there was also a great deal of singing!

A tidal river seems to me to have its own particular song, rising & retreating
as it does, like clockwork.  Add the voices of women who are happy to be (t)here
and the effect is close to sublime.  I'm not blessed with a singing voice
(those who know me well will know to find me singing in the car)
so I was especially moved by these impromptu choirs taking place
(even in the classroom).
Thank you all for that!

Hear for yourself.
Tracy McConnell-Wood made a lovely three minute video of our group mudlarking
and breaking into song:
Tay Tide Cairns

Newburgh is such a beautiful locale for giving oneself the permission to take time
for personal work.  There are ample opportunities for scenic walking ...

and for me, studying the ways of water ... exploring edges as I like to do.

Looking for ways to translate a notion of distance
or interpret a sensation of walking ...

You are a sage,

a river at its deepest

and most nourishing.

Sit by a river bank some time

and watch attentively as the river

tells you of your life.

~ from Lao Tzu ~

We ebbed and flowed in & out of the classroom not unlike the river's currents.

  Days were intense in meaningful and productive ways: Poetry was read and written,

bundles wrapped & dyed, mark-making explored & discovered, stitching techniques shared,

and all the while India responded to a thousand questions with patience & gentle humor.

We took breaks as we needed them. One of the delights was 'local shopping' ...

Alison & Jeannette, owners of Big Cat Textiles and Hat In The Cat (in Perth),

 look after the students in countless ways and I must admit

one of my favorites is all the lovelies they keep on hand for purchase.

That's the entry hall above which is chock full of vintage linens & clothes, 

baskets of hand-dyed yarn, roving, bits of this & that - everything useful for workshop supply needs

or to bring back home.  Some may have jumped into my suitcase.

There's even more in the adjoining studio ... racks of pre-loved clothing, beautiful finished

knitwear including cowls & socks made from local wool, countless notions

including buttons, trims, threads (many repurposed), even feathers; every kind of embellishment for

textile work that one might imagine.  I discovered last year that the displays can change daily

which makes it quite the dangerous place to wander through.

Sorry, is a wee bit blurry, gals ... sure we were giggling

and I shook the camera.

There they are - the special ladies who look after everyone so well.

Alison (on the left); thank you again for the glorious & nutritious meals;

Netti, thank you again for loaning the dog-less aunties your sweet Jazz

and for the comfy night's sleeps and car taxis ... and ... and ......

To you both: I sincerely appreciate the environment you've created that's so nurturing

and encouraging and filled with both of your good vibes - it doesn't get better than you two!

In the span of a week there were many walks taken down to the river

& ofttimes our dog pal led the way.  I'm quite fond of this image of India & Jazz

having a saunter one evening - one reason is that it shows off the quite incredible apron 

India wore to class.  If I remember correctly, I believe there was a collective gasp

when she first put it on ....

Look at the magnificent detail. 

Such a fascination has grown surrounding this garment, including a general clamoring to learn

the construction techniques, that now a workshop has been formed around it:

The Amuletic Apron

October 8-10, 2016

All the details over on the Big Cat Textile Masterclass Schedule

Student tables were looking more like museum collections by week's end. Some of the found

objects developed deeper meanings after being immortalized in poems or

used as utilitarian drawing tools.  Objects buried in the river scooped up at low tide

became special keepsakes to all of us.

~ student work ~

Perhaps because I'm in my 'older' years now, I'm especially appreciative of a tutor

who guides rather than directs; who presents options & inspiration rather than 

written in stone how-to's.  The voyage of discovery then becomes no one else's but my own.

It's more personal because I've found my own way of stepping through a process,

one that suits my own hands, my own particular way of seeing, and my own heart.

Thank you, India, for that freedom.

So it went.

(t)here on one of my favorite seats in the entire world I whispered a farewell

to the Tay ... "See ya later, my friend."  I always say it that way when I don't want to say "goodbye"...

always to people I'll miss and I guess now, even to rivers.

   

Then I photographed the lichen patch growing on the wall just off my right shoulder

so I could compare the growth rate from now to when next we meet.

I won't be away for long, Scotland.  You have my heart.

:::

Night and day the river flows.  If time is the mind of space, the

River is the soul of the desert.  Brave boatmen come, they go,

they die, the voyage flows on forever.  We are all canyoneers.

We are all passengers on this little mossy ship, this delicate

dory sailing around the sun that humans call the earth.

Joy, shipmates, joy.

~ Edward Abbey,  The Hidden Canyon - A River Journey ~

So much

There is so much to share, so much I want to tell you

about my recent travels in Scotland ...

about another wonder-filled masterclass at Big Cat Textiles,

tutored by India Flint to a roomful of generous hearted, spirit seeking women ...

about wanders into the wild Scottish landscape

botanizing all along the way ...

but

I'm not one to summarize quickly.

I need time

to let everything percolate,

time to allow the experience to sink into my bones.

~ Sunset light at low tide, River Tay, Newburgh, Fife ~

So for now I will leave you with a splendid poem from Maya Stein today,

one that captures quite beautifully

some of my feelings spending time along this river again.

Please enjoy.

And I'll be back before too long.

: : :

with summer still in their eyes

The sun was setting earlier than yesterday, and the cows

were uneventful.  The road would bring no more traffic

that evening.  Fifteen miles away, a town rested its tired arms.

The travelers were tired, too.  They cobbled dinner together

from the findings in a country store - iceberg lettuce, baked potatoes,

a wedge of local cheese - then slunk outdoors to catch the final light.

They each felt a scratch at their backs, a new season tapping its nails

against their thin shirts.  They knew this moment couldn't last.

And yet, with summer still in their eyes, they waited until the final rays

disappeared behind the mountains, until the stars arrived, like answers.

Studying the ways of water ...

A few experiments from my last diving session with paper

[ see previous post ]

These entailed using several varieties of watercolor & printmaker's paper;

frozen and fresh gleanings from the garden & hedgerow;

a steam bath, an onion bath, a mixed willow bath

and another that bordered on sage green;

alum pre-mordanting;

iron dipping & not iron dipping,

wrapping around pipes & layering between tiles.

The language of plants on cloth is certainly related to paper.  But not distantly,

like a 3rd cousin of your brother-in-law ... much closer, like siblings

who just don't live in the same state.

Water seems to me to be their shared vehicle

and I find it utterly fascinating how the exact same leaves can print

one way on cloth and another way altogether on paper.

: : :

"You don't have to be fully formed to get started on your work.  If that were true no one would ever start anything. But we live in a society were everyone wants to be a superstar and often find it difficult to be a beginner.  Think of all the great people and of their amazing journeys to reach the tops of their profession.  They were beginners who took action."

An inspiring quote by Terry Jarrard-Dimond

from her blog post,  Act On Your Ideas

Seeing thru paper

When the Lopez Island natural dyers gathered for this season's planning meeting

[ however wine-laden or deliciously food-laden the "meeting" may have been ]

there was a unanimous & resounding desire to next delve into experimentation

with paper.

We meet tomorrow for what we are calling

our 'Paper Dyeing Extravaganza'

I've got loads of prepping to do but as I sat at the computer this morning

looking over my past - and very few - experiences with this material,

I came across a bunch of Diana Photo app composites I'd made a while back.

They provided a bit of inspiration.

Admittedly, I feel awkward & hesitant with paper ...

while cloth feels familiar & welcoming, with paper I'm standoff-ish.

I love its qualities but I don't know or  understand  its workings yet.

Well, we all know the only way to get over that.

Dive.

Then keep swimming 

& let nature work her very particular magic.